'Kargl' web sites
Cont3xt.net
cont3xt.net 2012-03-22
kargl , Birgit Ringal, Franz Thalmair, 2011, 26 posters, DIN A1.format folded to DIN A4 , in black cardboard case with black hot foil stamping, 22 x 31 cm, edition of 100, signed and numbered Available at www.secession.at www.salon.fuer.kunstbuch.at www.21erhaus.at. Content. Form. Im.material Edited by CONT3XT.NET Sabine Hochrieser, Michael kargl , Birgit Ringal, Franz Thalmair, published by Verlag f r moderne Kunst N rnberg, 2011,
cont3xt.net 2012-03-22
kargl , Birgit Ringal, Franz Thalmair, 2011, 26 posters, DIN A1.format folded to DIN A4 , in black cardboard case with black hot foil stamping, 22 x 31 cm, edition of 100, signed and numbered Available at www.secession.at www.salon.fuer.kunstbuch.at www.21erhaus.at. Content. Form. Im.material Edited by CONT3XT.NET Sabine Hochrieser, Michael kargl , Birgit Ringal, Franz Thalmair, published by Verlag f r moderne Kunst N rnberg, 2011,
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Group exhibition, velika gorica croatia white, yellow, blue, and black, one [..]
kargl applies reductionist forms to the phenomenon of obsession with science and technology his webzen 2009 not only points to Nam June Paik, one of the originators of media art, but also paraphrases spiritually motivated strategies, which are mediated in the programming code on which the work is based. Charles Broskoski, in turn, uses auto.generation to transform his personal reflections on opportunities for collaborating on the
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Book launch, vienna austria content. form. im.material five years of cont3xt [..]
kargl , Birgit Rinagl and Franz Thalmair. Programmatically, this group of artists, curators and authors their different roles and functions sometimes regarded strictly, sometimes as a fluid continuum work at the basis of contemporary visual, textual and networked practices. Always starting from the idea of the context as the most indecisive and variable but relevant constraint of any situation, the collective analyses the spatial,
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Acoustical society of america. 148th meeting lay language papers
www.acoustics.org 2012-06-09
kargl , and Thomas Matula Engines for a Silent Aircraft by Cesare Hall Whispering Songs by Michael Kiefte Simulating Synchronized Calling with a Wireless Sensor Network by Kenneth D. Frampton, Efosa Ojomo, Praveen Mudindi, and Isaac Amundson WEDNESDAY, NOVEMBER 17 Perfect Pitch in Tone Language Speakers Carries Over to Music by Diana Deutsch, Trevor Henthorn, Elizabeth Marvin, and HongShuai Xu Constant Interval Distance Between
www.acoustics.org 2012-06-09
kargl , and Thomas Matula Engines for a Silent Aircraft by Cesare Hall Whispering Songs by Michael Kiefte Simulating Synchronized Calling with a Wireless Sensor Network by Kenneth D. Frampton, Efosa Ojomo, Praveen Mudindi, and Isaac Amundson WEDNESDAY, NOVEMBER 17 Perfect Pitch in Tone Language Speakers Carries Over to Music by Diana Deutsch, Trevor Henthorn, Elizabeth Marvin, and HongShuai Xu Constant Interval Distance Between
Backup utility clone file backup and syncronisation
newtonsoftware.co.uk 2010-12-10 ⚑tech
kargl I ordered Clone this morning. I love it and won t be able to live without it... I finally got around to using it with my CD writer last night and I didn t have any problems as I expected. It works perfectly and saves so much time. Comment by Bob Lockhart I ll be recommending this utility to anyone who needs a back.up solution that is functional without a lot of overblown code. copy 2010 Newton Software Solutions
newtonsoftware.co.uk 2010-12-10 ⚑tech
kargl I ordered Clone this morning. I love it and won t be able to live without it... I finally got around to using it with my CD writer last night and I didn t have any problems as I expected. It works perfectly and saves so much time. Comment by Bob Lockhart I ll be recommending this utility to anyone who needs a back.up solution that is functional without a lot of overblown code. copy 2010 Newton Software Solutions
The brussels privacy declaration
brusselsdeclaration.net 2013-03-17 ⚑tech
kargl , University of Ulm, Germany Volker Schenk, Germany Prof. Josef Weidenholzer, Austria Jasper van der Heijden, the Netherlands MArcel R ske, Germany P. van den Thillart, the Netherlands G.M. Claereboets S. Neppo Jutta Beckmann, Germany Clary Bogerd, the Netherlands Herbert Neuhauser, Austria Ed Mann Annemieke Savy.Spijkman, the Netherlands Piet Karssen, the Netherlands Margaret Lally, United Kingdom The declaration is no
brusselsdeclaration.net 2013-03-17 ⚑tech
kargl , University of Ulm, Germany Volker Schenk, Germany Prof. Josef Weidenholzer, Austria Jasper van der Heijden, the Netherlands MArcel R ske, Germany P. van den Thillart, the Netherlands G.M. Claereboets S. Neppo Jutta Beckmann, Germany Clary Bogerd, the Netherlands Herbert Neuhauser, Austria Ed Mann Annemieke Savy.Spijkman, the Netherlands Piet Karssen, the Netherlands Margaret Lally, United Kingdom The declaration is no
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Group exhibition, velika gorica croatia white, yellow, blue, and black, one [..]
kargl applies reductionist forms to the phenomenon of obsession with science and technology his webzen 2009 not only points to Nam June Paik, one of the originators of media art, but also paraphrases spiritually motivated strategies, which are mediated in the programming code on which the work is based. Charles Broskoski, in turn, uses auto.generation to transform his personal reflections on opportunities for collaborating on the
MORE
ⓘ
Book launch, vienna austria content. form. im.material five years of cont3xt [..]
kargl , Birgit Rinagl and Franz Thalmair. Programmatically, this group of artists, curators and authors their different roles and functions sometimes regarded strictly, sometimes as a fluid continuum work at the basis of contemporary visual, textual and networked practices. Always starting from the idea of the context as the most indecisive and variable but relevant constraint of any situation, the collective analyses the spatial,
MORE
ⓘ
Book launch, vienna austria content. form. im.material five years of cont3xt [..]
kargl , Birgit Rinagl and Franz Thalmair. Programmatically, this group of artists, curators and authors their different roles and functions sometimes regarded strictly, sometimes as a fluid continuum work at the basis of contemporary visual, textual and networked practices. Always starting from the idea of the context as the most indecisive and variable but relevant constraint of any situation, the collective analyses the spatial,
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